12/1/2022 0 Comments Dreadout act 3If you have something to add or correct me on, please let everyone know in the comments. (Evil Linda will follow you, once she is done casting) artifact act 2 act 3 ninja arashi2,Hello Neighbor act 2,Hello neighbor act 3 2. Her minions will get stuck on those little tiger statues, so you can deal with evil Linda without having to worry about them. Once you have done so, move quickly to the other sides of the statue. Draw them all together on one side of that big statue. She can summon up to 3 minions, don’t kill them. You can use strong shots here since her cast time is really slow and the projectile is slow as well. I had to aim slightly over her left shoulder (from Lindas perspective). It’s tricky to find the right distance and angle. You have to hit her while she is casting her Genkidama or Hadouken, depending on what fanboy you are. It was located on the market (go back through the gate where you came from) at the far end of the right-hand side.ĭunno if the need Coffe and its location are random or fix. A guide to find the Easter Eggs, Secrets, and Hidden Achievements of. No idea if this is supposed to be a riddle or just a chore to bother the player.Īnyway, for me, it was the “generic” Coffe. Easter Eggs & Secrets Guide - DreadOut Act 1. If you find the time, you can try to attack him with strong shots (hold down the photo button until it’s charged and auto releases. Genderuwo appears guarding Ms.Siska secrecy, and Linda needs to defeat him for moving forward. If he does his lounge attack, you have to be really lucky not to get hit. Genderuwo makes sudden appearance on the road of Maung District, after Dark Linda steals Linda's phone and flees. After that, take a picture and get close again. Stay rather close and in front of him, he will then often do a top to bottom attack, which has not much range. The best tip I can give here is, try not to move away from him. Position yourself in the center spot of one of the long streetways and listen to where his steps are coming from.
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